In making this record we tried to confront all our worst fears, to ruthlessly scrutinise ourselves, our relationship with each other, with other people, and with the world at large, and to make a journey into the darkest places we could find.

It made for an incredibly intense atmosphere during the writing and recording of the album, and the resultant songs and sounds very much reflect that. In the songs we created a kind of sinister fairytale-world-gone-wrong, a feeling of confusion and numbness represented by a dark place under an impenetrable iron sea. To express all this we created entirely new sounds by putting an old electric piano and various analogue synths through many different combinations of vintage guitar effects pedals, creating soundscapes that range from the percussive to vast oppressive walls of distortion.

We were writing, singing and performing with a drive, intensity and fury that is almost unrecognisable from our previous music.

It was important that this album had a strong visual presence too, and the start of that was the collaboration with Irvine Welsh on Atlantic offered somebody who both inspired us, and found his own inspiration in our music.

His resulting film echoes the importance of that visual identity we strove for.

We wrote Under The Iron Sea because we needed a record that was going to make us feel alive again.